
Gregory Vineyard
Address:
Asheville, NC
Asheville,
NC
28715
United States
"Creative Wayfinding" covers both my professional and personal artistic pursuits...
Bachelor of Fine Arts, with a concentration in Graphic Design. Continuing education at Glendale College, Glendale, CA, Burbank Community Center, Burbank, CA, Monrovia Adult School, Monrovia, CA, and a smattering of experiences at additional centers. Member of Xiem Clay Center, Pasadena, CA, 2005-2008.
While I prefer to let functionality be a serendipitous event underlying IDEATION in ceramics, it's also nice to discover that people use the meditation/keepsake bowls for everything from meditation to decorative display to meals to holding paperclips at the office. In any incarnation or use, an enjoyed piece of art or craft promotes ideas like pause & reflect, heal, peace, love, appreciate, relax -- amongst many, many others. My work is now spread far and wide, from all over the United States to Italy to India, but also it's just simply in my own kitchen - I believe nourishing ourselves is also a spiritual activity and I'd rather do that with a special ceramic piece of my own or from one of my many ceramic friends.
Much of my work falls in the range of $10.00 - $60.00, with an average bowl price of $20.00, and higher-end shinos and teabowls being around $40.00. Carved boxes are about $25.00. Tiles are $20.00 - $40.00. If you are not shopping locally at Constance Williams Gallery in the River Arts District, if you see something you like on this site, let me know and I'll pull a group of similar items and send you a jpeg. OR, do as many have done and describe YOU, tell me your price range, and I'll pull selections based on my impressions of you. Shipping ranges from $5.00 - $10.00, depending on size, weight, number of items.
Each funky, colorful, out-of-round meditation/keepsake bowl is a one-of-a-kind creation, and a unique fit for you and your hands or for your environment. This is a reflection of my letting the piece just be what it is as it is formed, and also due to variations of color and texture of both the clay and glazes. I use high-fire stoneware because I like the unpredictability of final results in the kiln. This set of three exemplifies the concept of "wabi-sabi", that there is an inherent beauty to everything, even in items that at a glance might appear "ugly" or that don't fit current societal concepts of what beauty is supposed to be. While the original intent is to aid contemplation/meditation with colors and textures and shapes, the bowls are also nice decorative objects. I have meditative moments with them throughout the day. These three, "The Uglina Sisters", were my juried entry into the annual American Ceramics Society, Southern California Chapter annual members show in 2004.
My art direction sketches and logo designs have always had an illustrative style, and I found tile carving to be a new way for me to "sketch". When I am carving a tile, I feel spiritually realigned back to the artist I was supposed to be, and I feel a connection to my stonemason and craftperson ancestors, not to mention my paternal lineage - both my father and grandfather have/had craft skills I didn't feel I inherited a lick of until I started working with clay. Whatever the medium, I encourage people to try anything they feel pulled toward. An interest in learning new skills combined with a detachment from subjective critiques is handy, tuck that thought in your back pocket and go enjoy! And signing up for a class of some sort somewhere is a great way to meet new people with similar interests.

I create work in a variety of sizes, shapes, and colors, and "Classic Vineyards" are often designed to be slightly (or sometimes severely!) out-of-round to fit in one's cupped hands, and have texture on the outside so that even in the dark or if one's eyes are closed or if one is sight-impaired that a tactile experience is still possible. Ceramics, like all art, is a spiritual process for the creator as well as the recipient. Connecting to spirit through art heals me.
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